minor doc update
This commit is contained in:
Hartmut Seichter
parent
e2e96c9f43
commit
d35a9baf25
2 changed files with 17 additions and 99 deletions
13
README.md
13
README.md
|
|
@ -1,10 +1,10 @@
|
||||||
# CourseBuilder
|
# CourseBuilder
|
||||||
|
|
||||||
Coursebuilder is a helper and validator for curricula. It helps to amalgate and validate curricula descriptions in order to generate legally required documents for university courses.
|
|
||||||
|
|
||||||
# Author
|
Coursebuilder is a preprocessor tool for [pandoc](https://pandoc.org)
|
||||||
|
to generate multi-lingual curricula documentation tables from
|
||||||
(c) Copyright 2020-2023 Hartmut Seichter
|
structured representations as a flatfile database. Data scheme and
|
||||||
|
actual values are kept in YAML files in order to version them with git.
|
||||||
|
|
||||||
# Usage
|
# Usage
|
||||||
|
|
||||||
|
|
@ -23,6 +23,11 @@ options:
|
||||||
using provided schema
|
using provided schema
|
||||||
```
|
```
|
||||||
|
|
||||||
|
# Author
|
||||||
|
|
||||||
|
(c) Copyright 2020-2023 Hartmut Seichter
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
# Licence
|
# Licence
|
||||||
|
|
||||||
|
|
|
||||||
|
|
@ -3,28 +3,18 @@ name: {
|
||||||
en: "Computer Graphics"
|
en: "Computer Graphics"
|
||||||
}
|
}
|
||||||
|
|
||||||
|
id:
|
||||||
|
value: CG
|
||||||
|
|
||||||
credits:
|
credits:
|
||||||
value: 5
|
value: 5
|
||||||
|
|
||||||
# common
|
|
||||||
common:
|
|
||||||
id: CG # fix for any variante
|
|
||||||
instructor: Prof. Hartmut Seichter, PhD
|
|
||||||
credits: 5 # numerical value
|
|
||||||
term: winter # winter, summer, both
|
|
||||||
frequency: once_per_year, once_per_term
|
|
||||||
duration: 1 # 1=one term
|
|
||||||
kind: comp #compulsory, elective
|
|
||||||
workload: |
|
|
||||||
- Vorlesung 2SWS
|
|
||||||
- Übung 2SWS
|
|
||||||
- Workload: Präsenz (Vorlesung + Übung) 120h Prüfungsvorbereitung 30h
|
|
||||||
author-of-indenture:
|
|
||||||
form: lecture # lecture, seminar, lecture_seminar, lecture_exersice, project
|
|
||||||
|
|
||||||
form-of-exam:
|
form-of-exam:
|
||||||
value: written
|
value: written
|
||||||
|
|
||||||
|
form:
|
||||||
|
value: lecture
|
||||||
|
|
||||||
kind:
|
kind:
|
||||||
value: compulsory
|
value: compulsory
|
||||||
|
|
||||||
|
|
@ -83,7 +73,7 @@ media-of-instruction:
|
||||||
* Folien
|
* Folien
|
||||||
* Auszug aus der Literaturliste:
|
* Auszug aus der Literaturliste:
|
||||||
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php
|
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php
|
||||||
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1-7, 2012
|
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1--7, 2012
|
||||||
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
|
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
|
||||||
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
|
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
|
||||||
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
|
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
|
||||||
|
|
@ -94,84 +84,7 @@ media-of-instruction:
|
||||||
* slides and quizzes
|
* slides and quizzes
|
||||||
* Literature:
|
* Literature:
|
||||||
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php.
|
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php.
|
||||||
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1–7, 2012
|
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1--7, 2012
|
||||||
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
|
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
|
||||||
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
|
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
|
||||||
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
|
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
|
||||||
|
|
||||||
|
|
||||||
# German Variant
|
|
||||||
de:
|
|
||||||
name: Computergrafik
|
|
||||||
goal:
|
|
||||||
Computergrafik ist ein Schmelztiegel von Technologien in der Informatik mit dem Ziel visuelle
|
|
||||||
Inhalte effizient zu generieren und dem Nutzer zu präsentieren. Studierende können den
|
|
||||||
Zusammenhang von visuellen Technologien in der Informatik, den zugrunde liegenden mathematischen
|
|
||||||
Konzepte und der Physiognomie des Menschen, insbesondere des Sehapparates herstellen.
|
|
||||||
Sie können die Eigenschaften verschiedener Darstellungsformen und -techniken analysieren und
|
|
||||||
bewerten. Sie lernen grundsätzliche Technologien der 3D Echtzeitdarstellung
|
|
||||||
kennen und wenden diese an.
|
|
||||||
content: |
|
|
||||||
* Grundkenntnisse der menschlichen Wahrnehmung
|
|
||||||
* Grundkonzepte der Bilderzeugung, Speicherung und Transformation
|
|
||||||
* Anwendungen von Computergrafik
|
|
||||||
* Technologien zur Bilddarstellung
|
|
||||||
* 3D Modelle, insbesondere Surface- und Volumemodelle
|
|
||||||
* Transformationspipeline
|
|
||||||
* Homogene Vektorräume und Transformationen
|
|
||||||
* Szenengraphen und Echtzeit Rendering APIs
|
|
||||||
* Bildsyntheseverfahren
|
|
||||||
* Geometrie und Bild Samplingverfahren und Anti-Aliasing Strategien
|
|
||||||
* Lichttransport, Physikalische Beleuchtungsmodelle
|
|
||||||
* Texturierungsverfahren
|
|
||||||
* Überblick Visualisierung
|
|
||||||
* Graphische Nutzeroberflächen und Systeme
|
|
||||||
prerequisites: Lineare Algebra, Englisch Kenntnisse min. IELTS Score 6.0
|
|
||||||
media-of-instruction: |
|
|
||||||
* H5P Lernmodule
|
|
||||||
* Lernforum
|
|
||||||
* Übungen
|
|
||||||
* Folien
|
|
||||||
* Auszug aus der Literaturliste:
|
|
||||||
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php
|
|
||||||
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1-7, 2012
|
|
||||||
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
|
|
||||||
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
|
|
||||||
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
|
|
||||||
|
|
||||||
# English
|
|
||||||
en:
|
|
||||||
name: Computer Graphics
|
|
||||||
goal: |
|
|
||||||
Computer graphics is describing all techniques in computer science
|
|
||||||
generating images perceivable by humans. Participants will have a broad
|
|
||||||
overview of techniques and concepts of computer graphics. They will be
|
|
||||||
able to apply theoretical concepts in practice.
|
|
||||||
content: |
|
|
||||||
* Basics of human perception
|
|
||||||
* Concepts of image storage and manipulation
|
|
||||||
* Applications of computer graphics
|
|
||||||
* Display sytems
|
|
||||||
* 3D models,i.e. surface and volume models
|
|
||||||
* Transformationspipeline
|
|
||||||
* Homogenous vector spaces and transformations
|
|
||||||
* Scenegraphs and rendering APIs
|
|
||||||
* Methods for image-synthesis
|
|
||||||
* Sampling in computer graphics
|
|
||||||
* Light transport and shading models
|
|
||||||
* Texturing
|
|
||||||
* Overview visualizations
|
|
||||||
* Graphical User Interfaces
|
|
||||||
prerequisites: linear algebra, min. level IELTS score 6.0
|
|
||||||
media-of-instruction: |
|
|
||||||
* H5P learning modules
|
|
||||||
* learning forum
|
|
||||||
* exersises
|
|
||||||
* slides and quizzes
|
|
||||||
* Literature:
|
|
||||||
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php.
|
|
||||||
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1–7, 2012
|
|
||||||
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
|
|
||||||
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
|
|
||||||
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
|
|
||||||
|
|
||||||
|
|
|
||||||
Loading…
Add table
Add a link
Reference in a new issue