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Hartmut Seichter 2023-11-08 15:40:05 +01:00
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test/simple/mod.cg.yaml
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@ -3,28 +3,18 @@ name: {
en: "Computer Graphics"
}
id:
value: CG
credits:
value: 5
# common
common:
id: CG # fix for any variante
instructor: Prof. Hartmut Seichter, PhD
credits: 5 # numerical value
term: winter # winter, summer, both
frequency: once_per_year, once_per_term
duration: 1 # 1=one term
kind: comp #compulsory, elective
workload: |
- Vorlesung 2SWS
- Übung 2SWS
- Workload: Präsenz (Vorlesung + Übung) 120h Prüfungsvorbereitung 30h
author-of-indenture:
form: lecture # lecture, seminar, lecture_seminar, lecture_exersice, project
form-of-exam:
value: written
form:
value: lecture
kind:
value: compulsory
@ -83,7 +73,7 @@ media-of-instruction:
* Folien
* Auszug aus der Literaturliste:
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1-7, 2012
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1--7, 2012
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
@ -94,84 +84,7 @@ media-of-instruction:
* slides and quizzes
* Literature:
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php.
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1–7, 2012
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1--7, 2012
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
# German Variant
de:
name: Computergrafik
goal:
Computergrafik ist ein Schmelztiegel von Technologien in der Informatik mit dem Ziel visuelle
Inhalte effizient zu generieren und dem Nutzer zu präsentieren. Studierende können den
Zusammenhang von visuellen Technologien in der Informatik, den zugrunde liegenden mathematischen
Konzepte und der Physiognomie des Menschen, insbesondere des Sehapparates herstellen.
Sie können die Eigenschaften verschiedener Darstellungsformen und -techniken analysieren und
bewerten. Sie lernen grundsätzliche Technologien der 3D Echtzeitdarstellung
kennen und wenden diese an.
content: |
* Grundkenntnisse der menschlichen Wahrnehmung
* Grundkonzepte der Bilderzeugung, Speicherung und Transformation
* Anwendungen von Computergrafik
* Technologien zur Bilddarstellung
* 3D Modelle, insbesondere Surface- und Volumemodelle
* Transformationspipeline
* Homogene Vektorräume und Transformationen
* Szenengraphen und Echtzeit Rendering APIs
* Bildsyntheseverfahren
* Geometrie und Bild Samplingverfahren und Anti-Aliasing Strategien
* Lichttransport, Physikalische Beleuchtungsmodelle
* Texturierungsverfahren
* Überblick Visualisierung
* Graphische Nutzeroberflächen und Systeme
prerequisites: Lineare Algebra, Englisch Kenntnisse min. IELTS Score 6.0
media-of-instruction: |
* H5P Lernmodule
* Lernforum
* Übungen
* Folien
* Auszug aus der Literaturliste:
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1-7, 2012
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
# English
en:
name: Computer Graphics
goal: |
Computer graphics is describing all techniques in computer science
generating images perceivable by humans. Participants will have a broad
overview of techniques and concepts of computer graphics. They will be
able to apply theoretical concepts in practice.
content: |
* Basics of human perception
* Concepts of image storage and manipulation
* Applications of computer graphics
* Display sytems
* 3D models,i.e. surface and volume models
* Transformationspipeline
* Homogenous vector spaces and transformations
* Scenegraphs and rendering APIs
* Methods for image-synthesis
* Sampling in computer graphics
* Light transport and shading models
* Texturing
* Overview visualizations
* Graphical User Interfaces
prerequisites: linear algebra, min. level IELTS score 6.0
media-of-instruction: |
* H5P learning modules
* learning forum
* exersises
* slides and quizzes
* Literature:
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php.
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1–7, 2012
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003