2023-11-02 23:14:15 +01:00
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name: {
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de: "Computergrafik",
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en: "Computer Graphics"
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}
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2023-11-08 15:32:41 +01:00
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credits:
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value: 5
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2023-11-02 22:17:33 +01:00
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# common
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common:
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id: CG # fix for any variante
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instructor: Prof. Hartmut Seichter, PhD
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credits: 5 # numerical value
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term: winter # winter, summer, both
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frequency: once_per_year, once_per_term
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duration: 1 # 1=one term
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kind: comp #compulsory, elective
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workload: |
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- Vorlesung 2SWS
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- Übung 2SWS
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- Workload: Präsenz (Vorlesung + Übung) 120h Prüfungsvorbereitung 30h
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author-of-indenture:
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form: lecture # lecture, seminar, lecture_seminar, lecture_exersice, project
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2023-11-05 21:44:45 +01:00
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form-of-exam:
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value: written
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2023-11-02 22:17:33 +01:00
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2023-11-05 21:53:45 +01:00
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kind:
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value: compulsory
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2023-11-05 21:44:45 +01:00
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goal:
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de: |
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Computergrafik ist ein Schmelztiegel von Technologien in der Informatik mit dem Ziel visuelle
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2023-11-05 20:35:44 +01:00
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Inhalte effizient zu generieren und dem Nutzer zu präsentieren. Studierende können den
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Zusammenhang von visuellen Technologien in der Informatik, den zugrunde liegenden mathematischen
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Konzepte und der Physiognomie des Menschen, insbesondere des Sehapparates herstellen.
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Sie können die Eigenschaften verschiedener Darstellungsformen und -techniken analysieren und
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bewerten. Sie lernen grundsätzliche Technologien der 3D Echtzeitdarstellung
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2023-11-05 21:44:45 +01:00
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kennen und wenden diese an.
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en: |
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Computer graphics is describing all techniques in computer science
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2023-11-05 20:35:44 +01:00
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generating images perceivable by humans. Participants will have a broad
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overview of techniques and concepts of computer graphics. They will be
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2023-11-05 21:44:45 +01:00
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able to apply theoretical concepts in practice.
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2023-11-05 20:35:44 +01:00
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2023-11-05 21:44:45 +01:00
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content:
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de: |
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* Grundkenntnisse der menschlichen Wahrnehmung
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* Grundkonzepte der Bilderzeugung, Speicherung und Transformation
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* Anwendungen von Computergrafik
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* Technologien zur Bilddarstellung
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* 3D Modelle, insbesondere Surface- und Volumemodelle
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* Transformationspipeline
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* Homogene Vektorräume und Transformationen
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* Szenengraphen und Echtzeit Rendering APIs
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* Bildsyntheseverfahren
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* Geometrie und Bild Samplingverfahren und Anti-Aliasing Strategien
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* Lichttransport, Physikalische Beleuchtungsmodelle
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* Texturierungsverfahren
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* Überblick Visualisierung
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* Graphische Nutzeroberflächen und Systeme
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en: |
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2023-11-05 20:35:44 +01:00
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* Basics of human perception
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* Concepts of image storage and manipulation
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* Applications of computer graphics
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* Display sytems
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* 3D models,i.e. surface and volume models
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* Transformationspipeline
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* Homogenous vector spaces and transformations
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* Scenegraphs and rendering APIs
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* Methods for image-synthesis
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* Sampling in computer graphics
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* Light transport and shading models
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* Texturing
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* Overview visualizations
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* Graphical User Interfaces
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2023-11-05 21:44:45 +01:00
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2023-11-08 15:32:41 +01:00
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media-of-instruction:
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de: |
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* H5P Lernmodule
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* Lernforum
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* Übungen
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* Folien
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* Auszug aus der Literaturliste:
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* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php
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* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1-7, 2012
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* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
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* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
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* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
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en: |
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* H5P learning modules
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* learning forum
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* exersises
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* slides and quizzes
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* Literature:
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* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php.
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* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1–7, 2012
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* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
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* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
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* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
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2023-11-05 20:35:44 +01:00
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2023-11-02 22:17:33 +01:00
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# German Variant
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de:
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name: Computergrafik
|
|
|
|
|
|
goal:
|
|
|
|
|
|
Computergrafik ist ein Schmelztiegel von Technologien in der Informatik mit dem Ziel visuelle
|
|
|
|
|
|
Inhalte effizient zu generieren und dem Nutzer zu präsentieren. Studierende können den
|
|
|
|
|
|
Zusammenhang von visuellen Technologien in der Informatik, den zugrunde liegenden mathematischen
|
|
|
|
|
|
Konzepte und der Physiognomie des Menschen, insbesondere des Sehapparates herstellen.
|
|
|
|
|
|
Sie können die Eigenschaften verschiedener Darstellungsformen und -techniken analysieren und
|
|
|
|
|
|
bewerten. Sie lernen grundsätzliche Technologien der 3D Echtzeitdarstellung
|
|
|
|
|
|
kennen und wenden diese an.
|
|
|
|
|
|
content: |
|
|
|
|
|
|
* Grundkenntnisse der menschlichen Wahrnehmung
|
|
|
|
|
|
* Grundkonzepte der Bilderzeugung, Speicherung und Transformation
|
|
|
|
|
|
* Anwendungen von Computergrafik
|
|
|
|
|
|
* Technologien zur Bilddarstellung
|
|
|
|
|
|
* 3D Modelle, insbesondere Surface- und Volumemodelle
|
|
|
|
|
|
* Transformationspipeline
|
|
|
|
|
|
* Homogene Vektorräume und Transformationen
|
|
|
|
|
|
* Szenengraphen und Echtzeit Rendering APIs
|
|
|
|
|
|
* Bildsyntheseverfahren
|
|
|
|
|
|
* Geometrie und Bild Samplingverfahren und Anti-Aliasing Strategien
|
|
|
|
|
|
* Lichttransport, Physikalische Beleuchtungsmodelle
|
|
|
|
|
|
* Texturierungsverfahren
|
|
|
|
|
|
* Überblick Visualisierung
|
|
|
|
|
|
* Graphische Nutzeroberflächen und Systeme
|
|
|
|
|
|
prerequisites: Lineare Algebra, Englisch Kenntnisse min. IELTS Score 6.0
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media-of-instruction: |
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|
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* H5P Lernmodule
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|
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|
* Lernforum
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|
|
|
* Übungen
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* Folien
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|
|
|
|
* Auszug aus der Literaturliste:
|
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|
|
|
|
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php
|
|
|
|
|
|
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1-7, 2012
|
|
|
|
|
|
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
|
|
|
|
|
|
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
|
|
|
|
|
|
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
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# English
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en:
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name: Computer Graphics
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goal: |
|
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Computer graphics is describing all techniques in computer science
|
|
|
|
|
|
generating images perceivable by humans. Participants will have a broad
|
|
|
|
|
|
overview of techniques and concepts of computer graphics. They will be
|
|
|
|
|
|
able to apply theoretical concepts in practice.
|
|
|
|
|
|
content: |
|
|
|
|
|
|
* Basics of human perception
|
|
|
|
|
|
* Concepts of image storage and manipulation
|
|
|
|
|
|
* Applications of computer graphics
|
|
|
|
|
|
* Display sytems
|
|
|
|
|
|
* 3D models,i.e. surface and volume models
|
|
|
|
|
|
* Transformationspipeline
|
|
|
|
|
|
* Homogenous vector spaces and transformations
|
|
|
|
|
|
* Scenegraphs and rendering APIs
|
|
|
|
|
|
* Methods for image-synthesis
|
|
|
|
|
|
* Sampling in computer graphics
|
|
|
|
|
|
* Light transport and shading models
|
|
|
|
|
|
* Texturing
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|
|
|
|
|
* Overview visualizations
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|
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|
* Graphical User Interfaces
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prerequisites: linear algebra, min. level IELTS score 6.0
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media-of-instruction: |
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* H5P learning modules
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|
|
|
|
* learning forum
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|
|
|
|
* exersises
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|
|
|
|
|
* slides and quizzes
|
|
|
|
|
|
* Literature:
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|
|
|
|
* Bar-Zeev, Avi. Scenegraphs: Past, Present and Future, 2003 http://www.realityprime.com/scenegraph.php.
|
|
|
|
|
|
* Burley, Brent. “Physically-Based Shading at Disney.” In ACM SIGGRAPH, 2012:1–7, 2012
|
|
|
|
|
|
* Goldstein, E. Bruce. Sensation and Perception. 3rd ed. Belmont, Calif.: Wadsworth Pub. Co., 1989
|
|
|
|
|
|
* Hughes, John F. Computer Graphics: Principles and Practice. Third edition. Upper Saddle River, New Jersey: Addison-Wesley, 2014
|
|
|
|
|
|
* Shirley, Peter, and R. Keith Morley. Realistic Ray Tracing. 2. ed. Natick, Mass: A K Peters, 2003
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